In 1996 Sony responded with its own professional version of DV called DVCAM.
Like DVCPRO, DVCAM uses locked audio, which prevents audio synchronization drift that may happen on DV if several generations of copies are made.
When recorded to tape, DVCAM uses 15 μm track pitch, which is 50% wider compared to baseline. Accordingly, tape is transported 50% faster, which reduces recording time by one third compared to regular DV. Because of the wider track and track pitch, DVCAM has the ability to do a frame-accurate insert edit, while regular DV may vary by a few frames on each edit compared to the preview.